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Talks, Film Screenings | The Grand Bizarre (Filmmaker in Person!)
Free To All, Special Events, Family Events | Free Community Day: Juneteenth
Tours, Special Events | George Eastman Bike Tour
Workshops | ONLINE WORKSHOP—Salt and Albumen Printing
Events for Friday, May 27, 2022
Open Face at Eastman Museum is open 10 a.m.–5 p.m.
Joshua Rashaad McFadden: I Believe I'll Run On
Artist Joshua Rashaad McFadden uses photography to engage some of the most challenging subject matter of our time. Working across genres he critically examines race, masculinity, sexuality, and gender in the United States.
One Hundred Years Ago: George Eastman in 1922
This annual display in the historic mansion provides a glimpse of George Eastman’s life and work one hundred years ago. The new selection of objects highlight the goings on in 1922—most notably the opening of the Eastman School of Music and the Eastman Theatre in downtown Rochester.
James Tylor: From an Untouched Landscape
In his artistic practice, James Tylor highlights under-told and often unseen histories of Aboriginal peoples. In Tylor’s hands, photography, once used to survey Aboriginal lands and peoples, becomes a way to indigenize landscapes.
Selections from the Collection
This rotation in the Collection Gallery looks at how the invention of photography in 1839 helped to expand visual understanding of the world, especially for those without the means to travel.
Jodie Mack: Matter Matters
Jodie Mack (UK, b. 1983), an artist who has developed a remarkable filmmaking style that provides new perspectives on a variety of familiar materials, invites viewers to contemplate the objects’ significance and the nature of disposability.
ONLINE WORKSHOP—Analog Academy, presented by Eastman Museum x CineStill
Ready to start shooting and developing film at home? Join Eastman Museum's Historic Process Specialist Nick Brandreth and CineStill’s Customer Solutions Manager Andre Domingues for a month-long workshop.
Sweet Smell of Success
Asian Americans in Hollywood: James Wong Howe "I'd hate to take a bite out of you. You're a cookie full of arsenic." This is one of numerous memorable lines in a brilliant American cult picture that is, with Touch of Evil, the last of the great films noir, and among the sharpest, most uncompromisingly dark Manhattan street movies—specifically of the old Times Square district—ever made.