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Talks | Wish You Were Here: Joy Episalla
Talks, Family Events | In Focus: Lost Films Found
American, born Hungary: Kertész, Capa, and the Hungarian American Photographic Legacy
September 26, 2025–March 1, 2026
Main Galleries
Events for Friday, April 18, 2025
Friday, April 18, 2025, All Day
Lindsay McIntyre: Ajjigiingiluktaaqtugut (We Are All Different)
Multipurpose Hall
Ajjigiingiluktaaqtugut (We Are All Different) is a short documentary structured in eight sections that builds to form a remarkable statement about Indigenous identity. Featuring stop-motion animation and hand-scratched film emulsion textures, the imagery follows the captivating movements of several antique wind-up toy bears.
Friday, April 18, 2025, All Day
Selections from the Collection
Collection Gallery
As the George Eastman Museum approaches and celebrates its 75th anniversary, we are featuring a group of exhibitions that highlight a wide range of holdings from the museum’s collection. With this selection of objects in the Collection Gallery, we continue our broad survey of works to draw parallels and connections between photography, history, and culture. The objects chosen for this exhibition will chart a course through this history, identifying notable movements and trends while giving context to a breadth of photographic practices, technologies, communities, and traditions.
Friday, April 18, 2025, All Day
Life with Photographs: 75 Years of the Eastman Museum
Main Galleries
Life with Photographs: 75 Years of the Eastman Museum explores the many ways in which photographic objects have come to shape our everyday lives. The exhibition encompasses broad cultural histories and image-making practices.
Friday, April 18, 2025, 1 p.m.
In Focus: The Challenges of Film Reconstruction
Online
The victories and defeats of film reconstruction will be discussed by Moving Image Department Senior Curator Peter Bagrov and Preservation Manager Anthony L’Abbate.
Friday, April 18, 2025, 7:30 p.m.
Member Movie Night: Sweet Smell of Success
Dryden Theatre
The Centennial Club "I'd hate to take a bite out of you, Sidney, you're a cookie full of arsenic" is one of numerous memorable lines in a brilliant American cult picture that is, with Touch of Evil, the last of the great films noir, and among the sharpest, most uncompromisingly dark Manhattan street movies—specifically of the old Times Square district—ever made.