This exhibition features three recently restored paper prints originally produced by Biograph Studios and directed by D.W. Griffith (American 1875–1948) in 1908. Also included is a partially restored version of Le Mélomane (The Melomaniac), a 1903 short directed by the legendary French special effects virtuoso, Georges Méliès (1861–1938).
In part 3.0 of our photo process series we're looking at the Albumen Process. We're exploring the invention of the process and talking with our curators and historians, who help us put these processes into historical and cultural contexts.
The Albumen Process
As the predominant print method in the 1850s-1890s, the albumen print process introduced the rise of the great industrial photographic houses. Egg whites were a primary step in the Albumen process, therefore the earliest albumen-printing operations often had many chickens on site. Albumen photographs were precise, detailed, cheap and widely distributed. The albumen print brought photography into the beginnings of mass production and consumption.
Up next The Woodburytype, The Platinum Print, and The Gelatin Silver Print.
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