In addition to neorealism, expressionism, and numerous other -isms in cinema, there also exists such a thing as the early baroque. It has, however, only one proponent: US expatriate Eugène Green, a resident of Paris for several decades now.
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Somewhat misunderstood at its conception in 1975, Barry Lyndon soon rose to the status of Stanley Kubrick’s most finely tuned masterpiece, and one of the most meticulous and exquisite period dramas by any filmmaker.