Three Women (35mm)
A Touch of Lubitsch | Silent Tuesdays The comedy of The Marriage Circle gives way to this dramatic interpretation of another complicated series of affairs among the upper crust.
A Touch of Lubitsch | Silent Tuesdays The comedy of The Marriage Circle gives way to this dramatic interpretation of another complicated series of affairs among the upper crust.
AAPI Heritage Month | Make Mine Musicals Nancy Kwan, fresh from her success in The World of Suzie Wong, steps into this Rodgers and Hammerstein musical about arranged marriages in San Francisco.
Sight and Sound Club | AAPI Heritage Month Director Edward Yang, a vanguard member of the Taiwan New Cinema movement, took five years to make this drama of youth in crisis, his only period film.
A Touch of Lubitsch | Silent Tuesdays The orphaned Lady Margaret Windermere (May McAvoy) has married Lord Windermere (Bert Lytell) but still attracts suitors, including Lord Darlington (Ronald Colman).
AAPI Heritage Month | Member Movie Night Director Wayne Wang followed his breakout indie hit Chan Is Missing with this family drama based in San Francisco. Real-life mother and daughter Kim Chew and Laureen Chew play widowed matriarch Mrs. Tam and her daughter Geraldine.
Sight and Sound by Decade | Sight and Sound Club | AAPI Heritage Month
Sight and Sound by Decade | Sight and Sound Club | AAPI Heritage Month Winner of the Best Director prize at Cannes, this intimate epic of family life is an exhilarating cornucopia of memorable characters.
Sight and Sound by Decade | Sight and Sound Club In director Fritz Lang’s first sound film, a series of child murders in an unnamed German city causes the police to mistakenly crack down on the criminal underworld.
The Complete Kubrick | The Centennial Club “How did they ever make a movie of LOLITA?” asked the posters promoting the film. Vladimir Nabokov’s controversial novel scared off directors and actors alike, but not Stanley Kubrick.
A Lyttle Lynch After a five-year hiatus following the release of Fire Walk With Me, Lynch returned with perhaps his most daring and disturbing work since Eraserhead.