This rotation in the Collection Gallery ranges from the Crimean War (1853–56) to the War in Afghanistan (2001–21). The works challenge us to think critically about how photography documents and disseminates information about war, and how photographers’ approaches to recording war has shifted over time.
In Southern Rites, Gillian Laub engages her skills as a photographer, filmmaker, and visual activist to examine the realities of racism and raise questions that are simultaneously painful and essential to understanding the American consciousness.
This annual display in the historic mansion provides a glimpse of George Eastman’s life and work one hundred years ago. The new selection of objects highlights the goings on in 1923—most notably the release of the Ciné-Kodak and 16mm motion picture film and a 10-week expedition in the Cassiar region of Alaska and British Columbia, which became his favorite camping destination for the remainder of his life.
19 winters / 7 springs contends with the idea of Buffalo, New York, and the lives of its inhabitants—its human and animal life, its architecture and landscape—all rendered by Gregory Halpern in their dynamic complexity. This exhibition plots the cyclical nature of time and the passage of seasons, but Halpern’s photographs also register both the visual evidence of history and the particularity of life in the present.
In Southern Rites, Gillian Laub engages her skills as a photographer, filmmaker, and visual activist to examine the realities of racism and raise questions that are simultaneously painful and essential to understanding the American consciousness.
This annual display in the historic mansion provides a glimpse of George Eastman’s life and work one hundred years ago. The new selection of objects highlights the goings on in 1923—most notably the release of the Ciné-Kodak and 16mm motion picture film and a 10-week expedition in the Cassiar region of Alaska and British Columbia, which became his favorite camping destination for the remainder of his life.
19 winters / 7 springs contends with the idea of Buffalo, New York, and the lives of its inhabitants—its human and animal life, its architecture and landscape—all rendered by Gregory Halpern in their dynamic complexity. This exhibition plots the cyclical nature of time and the passage of seasons, but Halpern’s photographs also register both the visual evidence of history and the particularity of life in the present.
This rotation in the Collection Gallery ranges from the Crimean War (1853–56) to the War in Afghanistan (2001–21). The works challenge us to think critically about how photography documents and disseminates information about war, and how photographers’ approaches to recording war has shifted over time.
This rotation in the Collection Gallery ranges from the Crimean War (1853–56) to the War in Afghanistan (2001–21). The works challenge us to think critically about how photography documents and disseminates information about war, and how photographers’ approaches to recording war has shifted over time.
In Southern Rites, Gillian Laub engages her skills as a photographer, filmmaker, and visual activist to examine the realities of racism and raise questions that are simultaneously painful and essential to understanding the American consciousness.
19 winters / 7 springs contends with the idea of Buffalo, New York, and the lives of its inhabitants—its human and animal life, its architecture and landscape—all rendered by Gregory Halpern in their dynamic complexity. This exhibition plots the cyclical nature of time and the passage of seasons, but Halpern’s photographs also register both the visual evidence of history and the particularity of life in the present.
This annual display in the historic mansion provides a glimpse of George Eastman’s life and work one hundred years ago. The new selection of objects highlights the goings on in 1923—most notably the release of the Ciné-Kodak and 16mm motion picture film and a 10-week expedition in the Cassiar region of Alaska and British Columbia, which became his favorite camping destination for the remainder of his life.
