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The historic mansion will be closed September 23 through November 8 for construction. The museum's exhibitions, Open Face eatery, shop, gardens, and Dryden Theatre remain open during this time. We apologize for any inconvenience. 

George Eastman Collection

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George Eastman and Thomas Edison

Unidentified photographer. George Eastman and Thomas Edison demonstrating camera at Kodacolor Party, 1928. George Eastman Museum.

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Billiard Room

The restored Billiard Room in George Eastman’s historic mansion.

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Ad showing the Brownie Camera

Frederick W. Barnes. French Kodak Advertisement for Brownie Camera, ca. 1905. Lithograph. George Eastman Museum.

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Historic view of the terrace garden

George Eastman (American, 1854–1932). Conservatory expansion from terrace garden, 1919. Negative, gelatin on nitrocellulose roll film. George Eastman Museum, gift of Eastman Kodak Company.

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Kodak ad featuring the Kodak Girl

Alf Cooke Ltd. Leed & London. Advertisement for folding pocket Kodak camera featuring the Kodak Girl, ca. 1913. Lithograph. George Eastman Museum.

The George Eastman Collection comprises artifacts and records relating to the life and career of George Eastman (1854–1932). The collection consists of Eastman’s restored historic home, furnishings, decorative arts, and related artifacts, as well as substantial holdings of his personal and business correspondence, private library, photographs, negatives, films, and related personal items.

The more than 200,000 objects in the collection fall into the following areas:

House, furnishings, and decorative arts
The 35,000-square-foot Colonial Revival mansion built for George Eastman is furnished with original, reproduction, and period furnishings and decorative arts. These artifacts include textiles such as oriental carpets, draperies, and portieres; light fixtures; desks, chairs, tables, bookshelves, and other furniture; oil paintings and photographic reproductions of paintings and watercolors; and bronze sculptures and decorative arts such as vases, cigarette boxes, jardinieres, frames, and globes.

VIRTUAL TOUR: MANSION

Manuscripts and books
The manuscript collection comprises 45,600 items of personal and business correspondence received by George Eastman from 1879 until his death in 1932, along with bound volumes of his responses. Among the personal letters are a twelve-year correspondence with Booker T. Washington; letters from photographers Edward Steichen and Alfred Stieglitz and explorers Osa and Martin Johnson; and letters from four US presidents—Theodore Roosevelt, Warren G. Harding, Herbert Hoover, and Franklin D. Roosevelt. The business correspondence describes the development of the products and processes of the Eastman Kodak Company and provides insight into the photographic and motion picture industries in the United States. (Please note: These letters are not available online and must be viewed in person by making an appointment.)

The collection also consists of forty scrapbooks kept by the Eastman Kodak Company publicity department outlining its activities from the late 1880s until 1932, souvenirs from business trips and vacations, awards, Eastman family memorabilia, and items relating to the Eastman Commercial College, a business school started by George Eastman’s father.

Photographs
The personal photograph collection contains both loose photographs and albums, nitrate and glass plate negatives, and lantern slides taken by or given to George Eastman. Subjects of these photographs relate to the Eastman family; George Eastman’s African safaris, vacations, and business trips; his philanthropic interests; his house and gardens; and Eastman Kodak Company. More than 9,500 nitrate negatives and 3,642 lantern slides have been digitized and are accessible to researchers.

Films and videos 
Among the moving images in the collection that were taken by or for George Eastman are the film made at the announcement of Kodacolor with Thomas Edison in 1928 at Eastman’s home, a film of Eastman's speech to the Society of Motion Picture Engineers in 1931 (the only known recording of George Eastman's voice), and home movies from Eastman's vacations, including two safaris to Africa. The collection also includes several Eastman Kodak Company TV commercials from the 1960s and 1970s produced by Warren Aldoretta and J. Walter Thompson. A selection of television documentaries on George Eastman, Eastman Kodak Company, and the George Eastman Museum are also held in the collection.

Kodak advertising and publications, 1880–1980
In November 2003, the Eastman Kodak Company donated their entire collection of advertising materials to the Eastman Museum. The majority of the approximately 95,000 advertisements are in English, but the collection also holds many ads in foreign languages—in particular, Spanish, French, Japanese, and Chinese.

Appointments are required to physically access materials in the George Eastman Collection. To schedule an appointment, please contact the George Eastman Study Center at [email protected], (585) 327-4854, or submit a Research Appointment Request Form. Appointments must be requested at least one week in advance and are based on staff availability. Spaces are limited. 

SEARCH THE COLLECTION

Please note, there are more items in the George Eastman Collection than what you will find here. Those with questions should contact the George Eastman Study Center at [email protected], (585) 327-4854, or submit a Research Appointment Request Form.

SEARCH SELECTED PAPERS - UNIVERSITY OF ROCHESTER

To view more correspondence in the George Eastman collection, please contact the George Eastman Study Center at [email protected] to make a research appointment.

Content Notice +

The George Eastman Museum’s collections include millions of objects. Each of these objects reflects the knowledge and the historical, cultural, social, and political perspectives, and biases of its creators. Today, some of the objects will be objectionable, offensive, or disturbing.

Although we cannot alter our collection objects, we are responsible for their descriptions, interpretation, and contextualization. As part of the Eastman Museum's broader initiative to address and make progress on issues of inclusion, diversity, and equity, we are committed to working internally and with experts and the community to address how we present collection objects—in our collection database and in public exhibitions—in a way that is mindful and respectful of the subjects, the makers, and our audiences.