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The screening of Lumière: Discovered in the Multipurpose Hall will resume January 24. We apologize for any inconvenience. 

The Nitrate Picture Show

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Intolerance (D.W. Griffith, US 1916), shown at the eighth Nitrate Picture Show in 2024.

Intolerance (D.W. Griffith, US 1916), shown at the eighth Nitrate Picture Show in 2024.

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The Good Fairy (William Wyler, US 1935), shown at the eighth Nitrate Picture Show in 2024.

The Good Fairy (William Wyler, US 1935), shown at the eighth Nitrate Picture Show in 2024.

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Meet Me in St. Louis (Vincente Minnelli, US 1944), shown at the eighth Nitrate Picture Show in 2024.

Meet Me in St. Louis (Vincente Minnelli, US 1944), shown at the eighth Nitrate Picture Show in 2024.

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L’âge d’or (1930)

L’âge d’or (Luis Buñuel, France 1930), shown at the fifth Nitrate Picture Show in 2019

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Aleksandr Nevskii (1938)

Aleksandr Nevskii (Sergei Eisenstein, Dmitriy Vasilev, USSR 1938), shown at the third Nitrate Picture Show in 2017

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Die Freudlose Gasse (1925)

Die Freudlose Gasse (Georg Wilhelm Pabst, Germany 1925), shown at the sixth Nitrate Picture Show in 2022

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Anchors Aweigh (1945)

Anchors Aweigh (George Sidney, US 1945), shown at the third Nitrate Picture Show in 2017

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The Band Concert (1935)

The Band Concert (Wilfred Jackson, US 1935), shown at the seventh Nitrate Picture Show in 2023

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Der blaue Engel (1930)

Der blaue Engel (Josef von Sternberg, Germany 1930), shown at the seventh Nitrate Picture Show in 2023

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Casablanca (1942)

Casablanca (Michael Curtiz, US 1942) shown at the first Nitrate Picture Show in 2015

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Gone with the Wind (1936-39)

Gone with the Wind screen tests (George Cukor, Robert B. Sinclair, US 1936-39), shown at the sixth and seventh Nitrate Picture Shows in 2022 and 2023

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Pinocchio (1940)

Pinocchio (Ben Sharpsteen, Hamilton Luske, US 1940), shown at the sixth Nitrate Picture Show in 2022

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Duel in the Sun (1946)

Duel in the Sun (King Vidor, US 1946), shown at the seventh Nitrate Picture Show in 2023

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Le jour se lève (1939)

Le jour se lève (Marcel Carné, France 1939), shown at the sixth Nitrate Picture Show in 2022

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Black Narcissus (1947)

Black Narcissus (Michael Powell, Emeric Pressburger, UK 1947), shown at the first and seventh Nitrate Picture Shows in 2015 and 2023

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Liebelei (1933)

Liebelei (Max Ophüls, Germany 1933), shown at the seventh Nitrate Picture Show in 2023

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Ramona (1928)

Ramona (Edwin Carewe, US 1928), shown at the second Nitrate Picture Show in 2016

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Meshi (1951)

Meshi (Mikio Naruse, Japan 1951), shown at the sixth Nitrate Picture Show in 2022

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Rope (1948)

Rope (Alfred Hitchcock, US 1948), shown at the sixth Nitrate Picture Show in 2022

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The Wizard of Oz (1939)

The Wizard of Oz (Victor Fleming, US 1939), shown at the seventh Nitrate Picture Show in 2023

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Nightmare Alley (1947)

Nightmare Alley (Edmund Goulding, US 1947), shown at the fifth Nitrate Picture Show in 2019

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Hen Hop (1942)

Hen Hop (Norman McLaren, Canada 1942), shown at the seventh Nitrate Picture Show in 2023

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Rainbow Dance (1946)

Rainbow Dance (Len Lye, UK 1946), shown at the sixth Nitrate Picture Show in 2022

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Rebecca (1940)

Rebecca (Alfred Hitchcock, US 1940), shown at the fifth Nitrate Picture Show in 2019

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The Red Shoes (1948)

The Red Shoes (Michael Powell, Emeric Pressburger, UK 1948), shown at the fourth Nitrate Picture Show in 2018

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Schlussakkord (1936)

Schlussakkord (Detlef Sierck [Douglas Sirk], Germany 1936), shown at the sixth Nitrate Picture Show in 2022

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A Star Is Born (1937)

A Star Is Born (William A. Wellman, US 1937), shown at the first Nitrate Picture Show in 2015

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The Third Man (1949)

The Third Man (Carol Reed, UK 1949), shown at the seventh Nitrate Picture Show in 2023

NPS logo

Join us for the 9th Nitrate Picture Show May 29–June 1, 2025.

About the Nitrate Picture Show

The Nitrate Picture Show, the festival of film conservation, returns for its ninth year. The festival features screenings of vintage nitrate prints from international archives and the Eastman Museum’s own collection and lectures from leading archivists, inviting you to experience the art and science of film preservation, from print conservation to archival projection. Film fans who have attended our festival before will tell you that it's the rare experience of watching original nitrate prints projected in the cinema while surrounded by other enthusiasts that really makes the Nitrate Picture Show unique. 

Since the very first edition, which took place in 2015, the titles of the films have only been announced on the first day of the festival, and the last screening has traditionally been a Blind Date with Nitrate, where the title is revealed when the curtain rises and the light from the projector hits the screen. Hence, we cannot say anything about the program selected for 2025. Instead, we can name but a few titles we screened in the past. Such as tinted silent prints of Intolerance (1916, D.W. Griffith) and Die freudlose Gasse [The Joyless Street] (1925, Georg Wilhelm Pabst); original release prints of Der blaue Engel [The Blue Angel] (1930, Josef von Sternberg), L’age d’or [The Golden Age] (1930, Luis Bunuel), Liebelei (1933, Max Ophüls), Stella Dallas (1937, King Vidor), Le jour se lève [Daybreak] (1939, Marcel Carné), Walt Disney’s Pinocchio (1940), Casablanca (1942, Michael Curtiz), Meet Me in St. Louis (1944, Vincent Minnelli), Leave Her to Heaven (1945, John M. Stahl), Nightmare Alley (1947, Edmund Goulding), Ladri di biciclette [Bicycle Thieves] (1948, Vittorio de Sica), The Third Man (1949, Carol Reed), and Bakushu [Early Spring] (1951, Yasujiro Ozu); William Wyler’s personal prints of Counsellor at Law (1933) and The Good Fairy (1935) and David O. Selznick’s prints of A Star is Born (1937) and Rebecca (1940); a stunning 1945 British release print of The Wizard of Oz (1939, Victor Fleming); one of the few surviving nitrate prints of Alexander Nevsky (1938, Sergei Eisenstein) and Vredens dag [Day of Wrath] (1943, Carl Theodor Dreyer). Among other filmmakers whose works were screened at the first seven festivals are René Clair, George Cukor, Robert J. Flaherty, John Ford, Fritz Lang, David Lean, Ernst Lubitsch, Mikio Naruse, Roberto Rossellini, Douglas Sirk, Preston Sturges, Teuvo Tulio, King Vidor, and Raoul Walsh, to name just a few. We were lucky to find multiple projectable titles by Alfred Hitchcock and the legendary duo of Michael Powell and Emeric Pressburger. In the Nitrate Shorts section, we presented Walt Disney’s first color films, screen tests for Gone with the Wind (1939), as well as experimental works by Mary Ellen Bute, Oscar Fischinger, Len Lye, Norman McLaren, and Vsevolod Pudovkin. We set a high standard, as you can see, and now we just have to live up to it.

PASSES NOW ON SALE

Festival Passes

Ticket Information
Patron Passes – SOLD OUT!

For the first time, Patron passholders have the opportunity to reserve their preferred seats in the Dryden Theatre, and their respective seats will remain exclusively theirs throughout the festival. Patrons with reserved seats will enjoy expedited entry to the theatre through a Patron-only line. This separate line for Patrons will also have the effect of shorteniing the line for attendees who are not Patrons.

Festival Passes

The Regular Pass, as well as the Member/Student Pass, grant the holder access to all screenings and lectures held during the course of the festival. All pass holders are provided complimentary admission to the George Eastman Museum during the days of the festival. In addition, these pass holders have the opportunity to reserve spots for passholder-exclusive presentations, demonstrations, and tours. All Festival Pass holders also receive gift bags with limited edition Nitrate Picture Show ephemera and the festival program catalog.

The Patron Pass (now sold out), our premium supporter-level pass, receives all of the perks of the previous tier, reserved seating, as well as an additional premium Patron thank you gift in their complimentary tote bag. Patrons also receive acknowledgment by name at the following year's Nitrate Picture Show in the program catalog and on displayed signage.

  • Regular Pass: $225
  • Member/Student Pass: $175
  • Patron Pass (includes reserved seats): $325 (SOLD OUT)

Dryden Theatre seating for Regular Pass and Member/Student Pass holders as well as single-screening ticket holders is general admission.

Please Note: NPS badges must be worn at all times in order to gain entry to all screenings and events. 

Single-Screening Tickets
Tickets for individual screenings, if available, may be purchased at the Dryden Theatre box office during the festival. 

Dryden Theatre seating for single-screening ticket holders is general admission.

Complimentary baggage check will be available the morning of Sunday, June 1. For more information, please contact [email protected].

Accessibility Badge

After purchasing your pass for the 9th Nitrate Picture Show, we encourage guests who require accessibility accommodations to sign up for an Accessibility Badge to ensure a comfortable experience. If you have accessibility or mobility needs, such as requiring specific accessible seating, using a wheelchair or walker, or difficulty standing for extended periods, please let us know in advance. You can sign up for the Accessibility Badge and contact us with any questions by reaching out to the box office by phone at (585) 327-4839 or by email at [email protected]. Our team is here to assist you in making any necessary arrangements so you can fully enjoy the festival.

Hotel recommendations:

Strathallan Reservation – Nitrate Picture Show (Neighborhood Rate)

Hyatt Regency Rochester Reservations – Nitrate Picture Show (Neighborhood Rate)

Thursday, May 29, 2025 Festival Schedule
  • 9 a.m. onward - Festival registration opens
  • 9 a.m. to 11:15 a.m. - Louis B. Mayer Conservation Center Nitrate Vault Tour 1 (off-site via bus, maximum 15 people, $25 per person, passholders only, reservation required)
  • 10 a.m. to 11 a.m. - Press conference and announcement of titles (open to the public)
  • 11:15 a.m. to 1:45 p.m. - Louis B. Mayer Conservation Center Nitrate Vault Tour 2 (off-site via bus, maximum 15 people, $25 per person, passholders only, reservation required)
  • 11:15 a.m. to 12:15 p.m. - Technology Collection Tour 1 (maximum 10 people, passholders only, reservation required)
  • 11:30 a.m. to 12:30 p.m. - Beyond Nitrate: Highlights from the Stills, Posters, and Paper Collection (maximum 25 people, passholders only, reservation required)
  • 11:30 a.m. to 12:15 p.m. - Concert in the historic mansion (grand piano, free to museum visitors)
  • 1:15 to 2:15 p.m. - Technology Collection Tour 2 (maximum 10 people, passholders only, reservation required)
  • 1:30 to 3:30 p.m. - Louis B. Mayer Conservation Center Nitrate Vault Tour 3 (off-site via bus, maximum 15 people, $25 per person, passholders only, reservation required)
  • 2:45 to 3:45 p.m. - Technology Collection Tour 3 (maximum 10 people, passholders only, reservation required)
  • 3:30 to 4:15 p.m. - Concert in the historic mansion (Aeolian pipe organ, free to museum visitors)
  • 3:45 to 5:45 p.m. - Louis B. Mayer Conservation Center Nitrate Vault Tour 4 (off-site via bus, maximum 15 people, $25 per person, passholders only, reservation required)
  • TBD p.m. - Program 1 - Opening Night Film

Louis B. Mayer Conservation Center Nitrate Vault Tour

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At the 9th Nitrate Picture Show, we are excited to offer a rare, behind-the-scenes tour of the newly upgraded and expanded Louis B. Mayer Conservation Center, the George Eastman Museum's esteemed nitrate vaults. Located off-site in North Chili, New York, this state-of-the-art facility houses more than 24,000 reels of highly flammable nitrate film, meticulously preserved under strict temperature and humidity controls to maintain the beauty and clarity of this remarkable medium. Led by our knowledgeable Collection Manager Deborah Stoiber, tour guests will gain insight into the history and care involved in preserving nitrate film, including the unique challenges that come with such volatile yet visually captivating material. Guests will leave with a newfound appreciation for the intricate work required to protect cinematic history, from handling protocols to the technical requirements for storage. Capacity is limited to 15 guests per tour, and transportation to the vaults will be provided via tour bus. Attendance is open only to Nitrate Picture Show passholders who have reserved their spot via $25 fee.

Additional Nitrate Vault Tour Added

 

Technology Collection Tour

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Join Curator Todd Gustavson and Collection Manager Damien Craft on Thursday, May 29, 2025, for an exclusive, complimentary tour of the George Eastman Museum’s renowned Technology Collection. This guided experience offers a rare glimpse into over 21,000 objects, showcasing the evolution of photographic and cinematographic technology from the earliest cameras to modern digital devices. Guests will encounter historic artifacts and rare equipment, including cameras used by iconic photographers like Alfred Stieglitz and Ansel Adams, as well as pioneering American and French models. This is a unique opportunity to explore some of the most significant milestones in imaging history, curated by experts in the field. Only Nitrate Picture Show passholders who have reserved their spot may join this tour. Capacity is limited to 10 guests per tour. 

 

 

Beyond Nitrate: Highlights from the Stills, Posters, and Paper Collection

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We invite Nitrate Picture Show passholders to attend an exclusive presentation showcasing highlights from the Stills, Posters, and Paper Collections. This session will feature a curated sampling of rare and diverse objects illustrating the history of motion picture production, exhibition, and promotion, including pre-cinema artifacts, film stills and iconic Hollywood portraits, lantern slides, lobby cards, scrapbooks, and manuscripts. Join our hosts Nancy Kauffman, Archivist of the Stills, Posters, and Paper Collections, and Sophia Lorent, Assistant Archivist of the Stills, Posters, and Paper Collections, for this fascinating look at cinema's ephemeral material history and discover how these collections can be utilized by historians, filmmakers, and film preservationists. Capacity is limited to 25 guests. CAPACITY REACHED FOR ALL TOURS

 

Concerts in the Historic Mansion

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Join us on May 29, 2025, for a unique musical experience with acclaimed musician and composer Andreas Benz in the historic mansion. Known for his expertise in silent film accompaniment and vintage dance band music from the 1920s and 1930s, Benz will present two distinct concerts: a piano performance featuring lively arrangements from the era, and a program on the Aeolian pipe organ, highlighting his much-anticipated “Nitrate Wish List” of classic films. Recognized for his musical craftsmanship and restoration of a 1929 Christie theater organ, Benz brings a rare depth to each performance. Both concerts are free to Nitrate Picture Show passholders and all other museum guests.