fbpx Exhibitions | George Eastman Museum

Please note: The exhibition Erica Baum: the bite in the ribbon—a paper show is closed today due to technical issues in the gallery. We apologize for the inconvenience and hope to reopen it as soon as possible.

Exhibitions

Tuesday, June 30, 2026, All Day

Selections from the Collection

Collection Gallery
In this iteration of Selections from the Collection, a combination of new acquisitions, recent rediscoveries, and foundational objects offer insights into the history of photography.
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Tuesday, June 30, 2026, All Day

Selections from the Collection

Collection Gallery
Selections from the Collection features objects from the museum’s photography and related technology collections. A conceptual thread connects objects, which rotate in and out of the exhibition, to the various lineages that exist throughout the history of photography. Showcased is a field richly interdependent on community networks for its progress.
Read More
Tuesday, June 30, 2026, All Day

Paper Prints in Motion

7Crest Financial Partners Hall
This exhibition features three recently restored paper prints originally produced by Biograph Studios and directed by D.W. Griffith (American 1875–1948) in 1908. Also included is a partially restored version of Le Mélomane (The Melomaniac), a 1903 short directed by the legendary French special effects virtuoso, Georges Méliès (1861–1938).
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Tuesday, June 30, 2026, All Day
Wednesday, July 1, 2026, All Day
Wednesday, July 1, 2026, All Day

Edward Steichen and the Garden

Main Galleries

Over a professional life spanning seven decades, Edward Steichen (1879–1973) established himself as one of the most important figures in the history of photography. What is less known is that for much of that time, Steichen devoted himself to the nurturing of plants and gardens, an activity that sustained him and through which he developed ardently held beliefs regarding the relationship of art, nature, and creativity.

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Wednesday, July 1, 2026, All Day

Ahndraya Parlato: TIME TO KILL

Project Gallery
Ahndraya Parlato: TIME TO KILL is an evocative interrogation of gendered aging unfolding through photographs, letters, and sculpture. In the exhibition, Parlato explores her fears and fantasies around aging and thinks about how women may become less culturally visible as they enter perimenopausal stages of life.
Read More
Wednesday, July 1, 2026, All Day

Selections from the Collection

Collection Gallery
In this iteration of Selections from the Collection, a combination of new acquisitions, recent rediscoveries, and foundational objects offer insights into the history of photography.
Read More
Wednesday, July 1, 2026, All Day

Selections from the Collection

Collection Gallery
Selections from the Collection features objects from the museum’s photography and related technology collections. A conceptual thread connects objects, which rotate in and out of the exhibition, to the various lineages that exist throughout the history of photography. Showcased is a field richly interdependent on community networks for its progress.
Read More
Wednesday, July 1, 2026, All Day

Paper Prints in Motion

7Crest Financial Partners Hall
This exhibition features three recently restored paper prints originally produced by Biograph Studios and directed by D.W. Griffith (American 1875–1948) in 1908. Also included is a partially restored version of Le Mélomane (The Melomaniac), a 1903 short directed by the legendary French special effects virtuoso, Georges Méliès (1861–1938).
Read More
Thursday, July 2, 2026, All Day

Ahndraya Parlato: TIME TO KILL

Project Gallery
Ahndraya Parlato: TIME TO KILL is an evocative interrogation of gendered aging unfolding through photographs, letters, and sculpture. In the exhibition, Parlato explores her fears and fantasies around aging and thinks about how women may become less culturally visible as they enter perimenopausal stages of life.
Read More
Thursday, July 2, 2026, All Day

Selections from the Collection

Collection Gallery
In this iteration of Selections from the Collection, a combination of new acquisitions, recent rediscoveries, and foundational objects offer insights into the history of photography.
Read More
Thursday, July 2, 2026, All Day

Selections from the Collection

Collection Gallery
Selections from the Collection features objects from the museum’s photography and related technology collections. A conceptual thread connects objects, which rotate in and out of the exhibition, to the various lineages that exist throughout the history of photography. Showcased is a field richly interdependent on community networks for its progress.
Read More
Thursday, July 2, 2026, All Day

Paper Prints in Motion

7Crest Financial Partners Hall
This exhibition features three recently restored paper prints originally produced by Biograph Studios and directed by D.W. Griffith (American 1875–1948) in 1908. Also included is a partially restored version of Le Mélomane (The Melomaniac), a 1903 short directed by the legendary French special effects virtuoso, Georges Méliès (1861–1938).
Read More
Thursday, July 2, 2026, All Day
Thursday, July 2, 2026, All Day

Edward Steichen and the Garden

Main Galleries

Over a professional life spanning seven decades, Edward Steichen (1879–1973) established himself as one of the most important figures in the history of photography. What is less known is that for much of that time, Steichen devoted himself to the nurturing of plants and gardens, an activity that sustained him and through which he developed ardently held beliefs regarding the relationship of art, nature, and creativity.

Read More
Friday, July 3, 2026, All Day

Edward Steichen and the Garden

Main Galleries

Over a professional life spanning seven decades, Edward Steichen (1879–1973) established himself as one of the most important figures in the history of photography. What is less known is that for much of that time, Steichen devoted himself to the nurturing of plants and gardens, an activity that sustained him and through which he developed ardently held beliefs regarding the relationship of art, nature, and creativity.

Read More
Friday, July 3, 2026, All Day

Ahndraya Parlato: TIME TO KILL

Project Gallery
Ahndraya Parlato: TIME TO KILL is an evocative interrogation of gendered aging unfolding through photographs, letters, and sculpture. In the exhibition, Parlato explores her fears and fantasies around aging and thinks about how women may become less culturally visible as they enter perimenopausal stages of life.
Read More
Friday, July 3, 2026, All Day

Selections from the Collection

Collection Gallery
In this iteration of Selections from the Collection, a combination of new acquisitions, recent rediscoveries, and foundational objects offer insights into the history of photography.
Read More
Friday, July 3, 2026, All Day

Selections from the Collection

Collection Gallery
Selections from the Collection features objects from the museum’s photography and related technology collections. A conceptual thread connects objects, which rotate in and out of the exhibition, to the various lineages that exist throughout the history of photography. Showcased is a field richly interdependent on community networks for its progress.
Read More