Featured
Free To All, Talks, Special Events | LGBTQ+ Workplace Equality Symposium
September 18 - 19, 2026
Tours, Member Events | Ahndraya Parlato: TIME TO KILL Member Tour
Live Music | LumenEssence
Special Events | GAG PowerPoint Karaoke
Events for Wednesday, September 9, 2026
Wednesday, September 9, 2026, All Day
Selections from the Collection
Collection Gallery
Selections from the Collection features objects from the museum’s photography and related technology collections. A conceptual thread connects objects, which rotate in and out of the exhibition, to the various lineages that exist throughout the history of photography. Showcased is a field richly interdependent on community networks for its progress.
Wednesday, September 9, 2026, All Day
Wednesday, September 9, 2026, All Day
Ahndraya Parlato: TIME TO KILL
Project Gallery
Ahndraya Parlato: TIME TO KILL is an evocative interrogation of gendered aging unfolding through photographs, letters, and sculpture. In the exhibition, Parlato explores her fears and fantasies around aging and thinks about how women may become less culturally visible as they enter perimenopausal stages of life.
Wednesday, September 9, 2026, All Day
Picturing Equality: The Lambda Network at Kodak
Gallery Obscura
Explore the history of the Lambda Network at Kodak, the company’s LGBTQ employee resource group, and learn how its members influenced inclusivity in corporate workplace settings.
Wednesday, September 9, 2026, All Day
A Camera as Easy as the Pencil: George Eastman’s Goal Achieved
Second Floor Mansion
This new permanent exhibit provides a look at the evolution of photography, from George Eastman’s earliest dream of simplicity to today’s world, where images are not just easier to create but also instantly viewed, edited, and shared.
Wednesday, September 9, 2026, 7:30 p.m.
The Hard Way (35mm)
Dryden Theatre
Distaff Noir Ida Lupino’s run of performances in noir films, both big budget and independent, is impressive, including High Sierra, Road House, On Dangerous Ground, and Private Hell 36. Yet this little-seen backstage drama may typify Grossman’s assessment of her performances.