George Eastman House announced today the official launch of its completed Photographic Process Videos project. The video series was funded by a grant from the Institute of Museum and Library Services Museums for America Program. The complete series can be found on the museum's YouTube channel.

The University of Rochester and George Eastman House will jointly offer a new master’s degree in Photographic Preservation and Collections Management (PPCM) beginning in the fall of 2014. The program will be the only one in the United States dedicated to the study of the photograph as an object (the care and handling of photographs) as well as the related academic study of images (theoretical and historical context). Enrollment begins this month, with the first students beginning their courses in fall 2014.

George Eastman House has received a federal grant for its project, Opening Up Collections: Charting Technicolor’s History through New Technologies, in the amount of $48,254 from the Institute of Museum and Library Services through the Museums for America Program. George Eastman House is one of 186 museums across the nation to be awarded the IMLS grant out of 707 that applied for funding.

George Eastman House has received a $32,000 grant for its History Through the Lens of Photography educational program from the Max and Marian Farash Charitable Foundation—“Engaging the Next Generation” initiative.

George Eastman House has received a grant from the Rochester Area Community Foundation in the amount of $40,000 to support the exhibition Dawoud Bey: The Birmingham Project, which opened on Saturday, November 1 and will run through January 25, 2015.

George Eastman House announced today the launch of The Nitrate Picture Show, the world’s first archival festival of film conservation, showcasing vintage 35mm nitrate film prints made from the beginnings of cinema to the early 1950s. The inaugural edition of The Nitrate Picture Show: A Festival of Film Conservation will be held May 1–3, 2015 at the Dryden Theatre, George Eastman House’s historic venue for film exhibition in Rochester, NY. The Dryden Theatre—one of only a few archival venues in the world that can project nitrate film—is home to the museum’s ongoing program of past and present cinematic works from all countries.

George Eastman House welcomes two visiting artists on Thursday, October 23—photographer David Pace and filmmaker Siegfried Kühn. Pace will be speaking as part of the museum’s Wish You Were Here lecture series at 6 p.m. in the Dryden Theatre. In a separate event, at 8 p.m., Kühn will be introducing his film Childhood before its screening in the Dryden, followed by a discussion with Eastman School of Music professor, Reinhild Steingröver.

Dawoud Bey: The Birmingham Project—organized by the Birmingham Museum of Art—makes its debut at George Eastman House on November 1. Chicago-based photographer Dawoud Bey’s The Birmingham Project is a reflection on the September 15, 1963, bombing of the 16th Street Baptist Church in Birmingham, Alabama. This event resulted in the deaths of six African American adolescents, some of the youngest victims of the Civil Rights Movement: Addie Mae Collins (14), Denise McNair (11), Carole Robertson (14), and Cynthia Wesley (14), who were in the church at the time of the bombing, and Virgil Ware (13) and Johnny Robinson (16), who lost their lives as a result of the ensuing violence. The exhibition will be on view in the museum’s Project Gallery through January 25, 2015.

George Eastman House has dedicated its new History of Photography Gallery to rotating installations that trace photography’s historical path to the present through photographs and cameras from the museum’s collection. The gallery opened in May and the second rotation of photographs from its collection will be on display beginning Saturday, October 4. This installation of photographs was curated but Joe Struble, collection manager in the Department of Photography at George Eastman House.

George Eastman House announced today that it will operate a digital laboratory as part of its Moving Image Department, thanks to Eastman Kodak Company’s donation of state-of-the-art digital equipment. The gift will enhance George Eastman House’s in-house capabilities in film preservation, allowing broader access to the museum’s motion picture collection. The lab will be used for both digitizing select titles from the museum’s premier collection of more than 28,000 films, as well as preserving digitally-born works.

George Eastman House announced today that it will operate a digital laboratory as part of its Moving Image Department, thanks to Eastman Kodak Company’s donation of state-of-the-art digital equipment. The gift will enhance George Eastman House’s in-house capabilities in film preservation, allowing broader access to the museum’s motion picture collection. The lab will be used for both digitizing select titles from the museum’s premier collection of more than 28,000 films, as well as preserving digitally-born works.

George Eastman House announced today that Jurij Meden will join its Moving Image Department as curator of film exhibitions. Meden comes to Eastman House after serving as head of the film programming department at the Slovenska Kinoteka—a member of the International Federation of Film Archives (FIAF)—in Ljubljana, Slovenia. Meden will start in his new role with George Eastman House this fall and will be responsible for developing and managing the film and media programming for the Dryden Theatre and other exhibition spaces at the museum.

For decades, Rochester was known as the imaging capital of the world. Innovation and invention by Rochester companies paved the way for the world we now live in, from medical testing to space exploration, digital capture and transmission, and more. On September 20, George Eastman House will open Innovation in the Imaging Capital, which highlights Rochester’s major contributions to the imaging story, showing technology made possible by inventions that were originated or developed locally.

George Eastman House will open the exhibition Robert Burley: The Disappearance of Darkness on September 20. The exhibition examines both the dramatic and historical demise of film-manufacturing facilities and industrial darkrooms on an international scale, including corporations such as Kodak, Agfa-Gevaert, and Ilford. It documents the impact of the emergence of digital imaging technologies, which irrevocably changed photography and led to the abrupt and rapid breakdown of a century-old industry that embodied the medium’s material culture. The exhibition will be on view in the museum’s special exhibition galleries through January 4, 2015.

In conjunction with his exhibition at ARTISANworks, photographer Wayne Martin Belger will be speaking at George Eastman House on September 4 at 6:00 p.m. Belger will be discussing his unique pinhole cameras and their intimate connection to the photographs he makes.

The Dryden Theatre at George Eastman House is bringing Dutch Australian filmmaker Rolf de Heer to Rochester on September 3, 2104. De Heer will host a discussion about his own work and the experience of moviemaking in Australia’s Northern Territory, following the Rochester premiere of his film, The Tracker (2002).