Dryden Theatre Piano Fundraiser: The Ten Commandments (35mm)
Special Screenings | Piano Fundraiser The spectacle of spectacles. Not only a great cast, but the great director of spectacles himself Cecil B. DeMille guides this great story he liked so much that he filmed it twice. DeMille’s earliest epic production, this version, instead of being content with one story or one time period, starts with the Biblical Exodus story and moves to modern times (1923) with another story of good and evil, temptation and redemption, with a moral.
James Card's First Programs
The first director of what was known then as the Film Department of the George Eastman Museum, James Card was an influential archivist, scholar, and educator who alone handled the administration of the department, including the curation of the film program. In addition to bi-weekly screenings of feature films, he also offered weekly programs that meticulously charted the rise and development of the motion picture in its first decades. Celebrating the 75th anniversary of the Dryden Theatre, we are re-creating these early screenings while also recognizing the 75 years of discoveries and preservations that have come along in the meantime. From drama to comedy to spectacle, these screenings pull back the veil on the mystery of early cinema to reveal how the pictures came to be.
Dates and Titles:
March 17: James Card Program #1: The Pioneers (approx. 80 min., 35mm/16mm/Digital)
March 31: James Card Program #2: Development of the Narrative
April 14: James Card Program #3: The Development of Comedy
April 28: James Card Program #4: From Narrative to Drama
May 12: James Card Program #5: Enlarged Vistas: Film Spectacle
Legend of the Mountain (DCP)
Lose Yourself Few directors in the history of world cinema have so masterfully bridged the gap between the visceral energy of the action genre and the contemplative depth of classical art as King Hu. A multifaceted director who frequently produced, edited, and designed his own sets and costumes, Hu transformed the wuxia (martial arts) film from a studio-bound commodity into a vehicle for existential inquiry and Buddhist transcendence.
Wings of Desire (DCP)
A Summer Trip through Europe(an Cinema) Guardian angels left to watch over West Berlin after the Second World War listen to the thoughts and dreams of its citizens from the city’s rooftops.
Matinee: Blazing Saddles (35mm)
100 Years of Mel Brooks Mel Brooks’s third feature, and his first box-office blockbuster, turns the western upside down and inside out. Scheming politician Hedley (not Hedy!) Lamarr (Harvey Korman) appoints a Black sheriff (Cleavon Little) to the small town of Rock Ridge in order to drive the people away.
Agatha's Almanac (DCP)
Rochester Premiere Fiercely independent 90-year-old Agatha Bock lives alone on her ancestral farm. Despite health challenges, she defiantly tends to her land, cultivating heirloom seeds passed down through generations.
Silent Movie (35mm)
100 Years of Mel Brooks Mel Funn (Brooks), a washed-up Hollywood director, announces his plans to make a contemporary silent movie. With the help of collaborators Dom Bell (Dom DeLuise) and Marty Eggs (Marty Feldman), Mel sets out to recruit a top-notch cast (Burt Reynolds, Liza Minnelli, Paul Newman, Marcel Marceau and Anne Bancroft) in order to secure funding for his magnum opus.
Persona (35mm)
A Summer Trip through Europe(an Cinema) | The Sight & Sound Club Bergman’s once and future muses star together in this psychological drama examining the nature of identity. A young actress, Elisabet (Liv Ullmann), has suddenly stopped moving and speaking, leading to a stay in a hospital.
Larks on a String (35mm)
A Summer Trip through Europe(an Cinema) Private moments are hard to come by in post-war Czechoslovakia. Whether it’s the recitation of a poem, a philosophical conversation, the playing of a saxophone, or a simple flirtation, all are looked on with suspicion by the government and its agents.
Ordet (DCP)
A Summer Trip through Europe(an Cinema) | The Sight & Sound Club Director Dreyer explores multiple issues of faith through a family on the Danish highlands in 1925.
Renoir (DCP)
Rochester Premiere Chie Hayakawa’s debut feature, Plan 75, generated a lot of discussion around the Dryden when it screened in 2023. Her follow-up is a tender, often unsettling portrait of childhood grief and the sinuous imagination of an inquisitive young girl.
Trainspotting (DCP)
Lose Yourself Based on Irvine Welsh’s 1993 novel of the same name, Trainspotting follows a group of heroin addict friends in late 1980s Edinburgh. Dissatisfied with the way drug addiction has taken over his life, Mark "Rent Boy" Renton (Ewan McGregor), attempts to “Choose Life” and get clean.
Blazing Saddles (35mm)
100 Years of Mel Brooks Mel Brooks’s third feature, and his first box-office blockbuster, turns the western upside down and inside out. Scheming politician Hedley (not Hedy!) Lamarr (Harvey Korman) appoints a Black sheriff (Cleavon Little) to the small town of Rock Ridge in order to drive the people away.
Forever a Woman (DCP)
Lose Yourself Fumiko, a mother of two and wife to an unfaithful husband, attempts to balance domestic responsibility with her work as a poet. Just as her writing career takes off, she divorces her husband and is diagnosed with breast cancer.
Lose Yourself
What does it mean to lose oneself? Can you get caught up in your own lies? Or find yourself in a drug-addicted spiral? You can find yourself in a completely alien world or give yourself completely up to a job. Can you get caught up in seeking new pleasure? Or is that simply an excuse because you’ve already lost who you were? For the first time, students from The L. Jeffrey Selznick School of Film Preservation have curated a series around this concept, selecting films and following the booking process, and writing text for notes and introductions. Throughout May and June, ten students will participate in both post-screening discussions and and roundtables to talk about their films, their experiences at the school, now in its thirtieth year, and how losing yourself is one of the most enduring themes in film history.
Dates and Titles:
May 9 (2 p.m.): Dryden Roundtable: Lose Yourself #1
May 13: 3 Women (Robert Altman, US 1977, 124 min., 35mm)
May 14: A Streetcar Named Desire (Elia Kazan, US 1951, 122 min., 35mm)
May 16: Score (Radley Metzger, US 1973, 90 min., DCP)
May 28: Enemy (Denis Villeneuve, Canada/Spain/France 2013, 91 min., DCP)
June 12: Trainspotting (Danny Boyle, UK 1996, 93 min., DCP)
June 13 (2 p.m.): Dryden Roundtable: Lose Yourself #2
June 16: Forever a Woman (Chibusa yo eien nare, Kinuyo Tanaka, Japan 1955, 106 min., DCP, Japanese with English subtitles)
June 17: Legend of the Mountain (Shan zhong zhuan qi, King Hu, Taiwan/Hong Kong 1979, 184 min., DCP)
June 23: Session 9 (Brad Anderson, US 2001, 97 min., DCP)
June 25: The Face Behind the Mask (Robert Florey, US 1941, 68 min. DCP)
July 16: For All Mankind (Al Reinert, US 1989, 80 min., DCP)
The Face Behind the Mask (DCP)
Lose Yourself Peter Lorre stars in this cult noir as a Hungarian who takes the slow boat to Manhattan in search of a better life, only to almost immediately have his face horribly disfigured in a tenement fire.
The Producers (DCP)
100 Years of Mel Brooks From the masterful comic mind of Brooks comes the original film farce that inspired the smash Broadway musical.
Okraina (35mm)
Boris Barnet The use of sound in motion pictures was never as daring and experimental as in the early 1930s: there were no rules to break and no stereotypes to follow. Still, Boris Barnet’s The Outskirts stood out.
Matinee: The Producers (DCP)
100 Years of Mel Brooks From the masterful comic mind of Brooks comes the original film farce that inspired the smash Broadway musical.