Visitors to the George Eastman Museum have the opportunity to experience Ahndraya Parlato: TIME TO KILL, on view from June 20, 2026 to January 3, 2027.

Visitors to the George Eastman Museum have the opportunity to experience the exhibition Picturing Equality: The Lambda Network at Kodak, on view in the museum’s community gallery, Gallery Obscura, from June 27 to November 8, 2026.

The gardens at the historic George Eastman Museum reopen today for the season, welcoming visitors to experience their beauty in bloom. Guests are invited to enjoy a stroll in one of Rochester’s most iconic landscapes as well as participate in seasonal experiences and programs. Guided tours of the historic landscape, free with museum admission, are offered Saturdays and Sundays at 12:30 p.m., from May through October.

The George Eastman Museum will present a benefit film screening on Sunday, April 3 at 7:30 p.m. in solidarity with the people of Ukraine. In Spring (Navesni; Vesnoi, Mikhail Kaufman, USSR [Ukraine] 1929, 65 min., 35mm) is a seminal work of Ukrainian cinema as well as a hymn to the miracle of life. The fact that it was filmed in and around Kyiv makes it particularly poignant today. The silent film was directed by filmmaker Mikhail Kaufman and will be accompanied by Dr. Philip C. Carli on piano. 

The George Eastman Museum has appointed Phil Taylor as an assistant curator in its Department of Photography. He will be based primarily in New York City. His role will include participating in collection development, curating exhibitions at the Eastman Museum in Rochester, and authoring or contributing to accompanying publications and other scholarly books. 

The George Eastman Museum will open the major new exhibition Joshua Rashaad McFadden: I Believe I’ll Run On in its main galleries on Friday, November 5, 2021. The exhibition is an early-career survey of the Rochester-based artist’s work, in which McFadden critically examines the racism and anti-Black violence that Black Americans have experienced from slavery to the present. To this end, McFadden explores how racism, masculinity, sexuality, and gender impact Black Americans, while at the same time he envisions Black life liberated from these strictures.

The George Eastman Museum will present To Survive on This Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older Adults, a photographic exhibition on view from June 19, 2021 through January 2, 2022. This interdisciplinary project is a collaboration between photographer Jess T. Dugan and social worker Vanessa Fabbre, an associate professor at Washington University in St. Louis whose research focuses on the intersection of LGBTQ issues and aging.

The Dryden Theatre will reopen to the public with a screening of Citizen Kane (Orson Welles, US 1941) on Friday, April 2, followed by Rear Window (Alfred Hitchcock, US 1954) on Saturday, April 3. All films will begin at 7:30 p.m. (doors open at 6:45 p.m.).

One of the landmark projects of the George Eastman Museum’s Moving Image Department was the preservation of Orson Welles’s 1938 comedy, Too Much Johnson. The film, once thought lost, can be viewed at eastman.org/TooMuchJohnson. The digitized version of the film includes new recorded voice-over commentary by Anthony L’Abbate, preservation manager, and Caroline Yeager, associate curator, of the George Eastman Museum. The online film also includes a new musical score provided by Philip C.

The George Eastman Museum is launching a new series of virtual talks, Future/Present, featuring early- to mid-career photographers and artists who are exploring some of the most pressing issues of our time and pushing the boundaries of image-making and visual culture today. The series will kick off online with visual artist and storyteller Citali Fabián on March 18 at 6 p.m. The event is free for museum members and $10 suggested ticket for non-museum members.