Dark is the Night (35mm)
Boris Barnet
darker (DCP)
Nitrate Picture Show Special Screening Academy Award-nominated filmmaker Bill Morrison is proud to present the world premiere of the standalone film version of darker. Created in collaboration with Pulitzer Prize-winning composer David Lang, darker marks the ninth collaboration between Lang and Morrison across twenty-four years of working together.
Alionka (35mm)
Boris Barnet Alionka is a nine-year-old girl who must travel 500 kilometers in a truck across the steppes. Her fellow travelers share stories from their lives: funny ones, tragic ones, absurd ones—and all of them are presented on screen through the little girl's perspective.
Edward Steichen and the Garden
Over a professional life spanning seven decades, Edward Steichen (1879–1973) established himself as one of the most important figures in the history of photography. What is less known is that for much of that time, Steichen devoted himself to the nurturing of plants and gardens, an activity that sustained him and through which he developed ardently held beliefs regarding the relationship of art, nature, and creativity.
Octavia Spencer to Receive George Eastman Award for Contribution to the Art of Cinema
Ali: Fear Eats the Soul (35mm)
A Summer Trip through Europe(an Cinema) | The Sight & Sound Club One night, Emmi (Brigitte Mira), an aging cleaning woman, wanders into an unfamiliar bar during a downpour. She ends up dancing with a young Moroccan guest worker named Ali (El Hedi ben Salem). Soon they are close friends, then lovers, then they decide to be married, despite their near 20 year age difference.
Photography On Site
GAG
What is "gag"? Gag moves. Gag is visceral. Gag catches in the throat. A laugh. A retch. A joke. A bind. Pleasure and pain. Both noun and verb, gag provokes strong feelings. And, in the hands of artists, it offers a means of grappling with contemporary experience in a tragicomic mode.
Erica Baum: the bite in the ribbon—a paper show
Through the selection, manipulation, and reproduction of existing printed materials, Erica Baum creates a poetry of word and image that inspires close looking and close reading.
Dryden Roundtable: Lose Yourself #2
Dryden Roundtables For the first time ever, students of the L. Jeffrey Selznick School of Film Preservation are curating a series at the Dryden! Based on an exercise in class, the students have been tasked with choosing a film based on the theme “Lose Yourself,” observe the steps to obtain a print and clear rights, write the text for the screening, provide an introduction for the film, and participate in a post-screening discussion afterwards.
Nitrate Picture Show: When Tomorrow Comes
2026 Nitrate Picture Show John M. Stahl searched far and wide in the fall of 1938 for a new starring vehicle for Irene Dunne, whom he had directed twice before in Back Street (1932) and Magnificent Obsession (1936), before settling on James M. Cain’s unpublished manuscript A Modern Cinderella, about a union-organizing waitress who marries a millionaire industrialist with a manipulative mother.
Nitrate Picture Show: This Happy Breed
2026 Nitrate Picture Show Though best known for epics such as Lawrence of Arabia (1962), David Lean was equally skilled at directing films on a far more intimate scale.
Nitrate Picture Show: Camille
2026 Nitrate Picture Show “And just imagine how my father would have loved your film,” reportedly reads a letter from the daughter of Alexandre Dumas fils to Greta Garbo after she watched Camille, an adaptation of Dumas’s novel The Lady of the Camelias (1848).
Nitrate Picture Show: Nitrate Avant-garde
2026 Nitrate Picture Show
Nitrate Picture Show: Ala-arriba!
2026 Nitrate Picture Show José Leitão de Barros (1896–1967) was one of the most influential filmmakers in the history of Portuguese cinema. A film critic and a publisher, Barros was well acquainted with international film trends when he directed the short documentary Nazaré, Praia de Pescadores (1929) and the feature-length docudrama Maria do Mar (1930).
Nitrate Picture Show: The Adventures of Tom Sawyer
2026 Nitrate Picture Show Gone with the Wind may be producer David O. Selznick’s most famous literary adaptation, but it is far from his only one. Selznick had a history of bringing classic books to the screen with such films as Little Women (1933), David Copperfield (1935), and Little Lord Fauntleroy (1936). Given this consistent return to literary source material, it is not surprising that he chose to adapt a boyhood favorite, The Adventures of Tom Sawyer.
Nitrate Picture Show: Bellissima
2026 Nitrate Picture Show Bellissima was only Visconti’s third film as director, yet already a noticeable cynicism had settled in, particularly in regard to the “new realism.” His first film, Ossessione (1943), a gritty tale of adultery and murder shot on location among the provincial poor, is often cited as the earliest feature in the Neorealist style. Visconti then took things several steps further with La terra trema (1948), which renounced professional actors and could pass for a documentary were it not for the dramatic plot and political rhetoric.