Program 2 | Nitrate Shorts
Nitrate Picture Show This 80-minute program of short nitrate films includes Movietone’s Feminine World / Behind the Footlights (Vyvyan Donner, US 1946), Rainbow Dance (Len Lye, UK 1936) & Musical Poster No. 1 (Len Lye, UK 1940), trailers for five Technicolor features (US 1937–43), and Gone With the Wind screen tests.
Program 3 | Schlussakkord
Nitrate Picture Show It is unlikely we will be screening any of Douglas Sirk’s signature Technicolor melodramas at the Nitrate Picture Show, as all of them were made during the safety film era. But we are lucky to have a projectable nitrate print of not just an early film by Sirk (credited under his birth name, Detlef Sierck) but one that was seminal in the career of this highly acclaimed director.
Program 4 | Meshi
Nitrate Picture Show Mikio Naruse’s Repast and Yasujiro Ozu’s Early Summer swept Japan’s film competitions in 1951, splitting awards for best film, director, actress, and supporting actress. Although Naruse is less familiar outside Japan, he is also highly regarded as a major director of contemporary drama films.
Program 5 | Rope
Nitrate Picture Show In 1947, finally free from producer David O. Selznick’s interference, Alfred Hitchcock was determined that his next picture be produced by his own Transatlantic Pictures Corp. The company’s inaugural production, Rope, would be an adaptation of a 1929 stage play inspired by infamous thrill-killers Nathan Leopold and Richard Loeb.
Program 6 | Die Freudlose Gasse
Nitrate Picture Show A landmark in the history of German cinema, The Joyless Street marked a turning point from Expressionism to New Objectivity (Neue Sachlichkeit). The film also marked the beginning of Greta Garbo’s international career, and being her only work in Germany, partnered her for the first and last time with such legendary performers as Asta Nielsen, Werner Krauss, and Valeska Gert.
Program 7 | Cluny Brown
Nitrate Picture Show Cluny Brown turned out to be Ernst Lubitsch’s last completed film. It was received warmly and considered delightful entertainment, yet the critics didn’t exactly know where to place it. The more time passes, the more it is regarded as one of Lubitsch’s most sophisticated works, a social metaphor, perhaps even an autobiographical statement.
Program 8 | Western Approaches
Nitrate Picture Show Filming Western Approaches with the huge three-strip Technicolor camera on board a flimsy lifeboat out in the Atlantic swell must have seemed a reckless enterprise, but director Pat Jackson wanted the audience to experience an authentic depiction of those risking their lives to bring vital supplies across the ocean during the Second World War. In pursuit of this ideal, he employed a cast entirely of serving officers and seamen, many of them veterans of Atlantic convoys, and for the most part he kept well away from the film studio.
Program 9 | Trail of the Hawk
Nitrate Picture Show Here is one of the oddest movie mashups you’ll ever see: a 1950 re-release of Trail of the Hawk (1935), a B western that was Edward Dmytryk’s first directorial effort. This 1950 version cut in new scenes and musical performances starring Ramblin’ Tommy Scott, a country-western singer-songwriter/ventriloquist, and his traveling medicine show band that included his wife and daughter.
Program 10 | The Unholy Three
Nitrate Picture Show “Lon Chaney talks!” declared Metro-Goldwyn-Mayer’s press release. The chance for audiences to hear one of the studio’s biggest stars speak was reason enough to remake one of Chaney's biggest silents, Tod Browning’s 1925 wild carny crime thriller, The Unholy Three.
Program 11 | Le Jour se lève
Nitrate Picture Show With Le Jour se lève, director Marcel Carné lowered the curtain on the golden age of French cinema. Released three months before the Nazi invasion of Poland, and one year before the fall of France, this tightly wound, suspenseful tragedy mirrored the encroaching dread of an entire nation.
Program 12 | Blind Date with Nitrate
Nitrate Picture Show In Nitrate Picture Show tradition, this title will not be revealed until the screening begins. Full program notes will be distributed after the screening.
Nitrate Picture Show
June 2–5, 2022
The Nitrate Picture Show, the festival of film conservation, features screenings of vintage nitrate prints from international archives and the Eastman Museum’s own collection and lectures from leading archivists, inviting you to experience the art and science of film preservation, from print conservation to archival projection.
Land Acknowledgment
Gillian Laub: Southern Rites
In Southern Rites, Gillian Laub engages her skills as a photographer, filmmaker, and visual activist to examine the realities of racism and raise questions that are simultaneously painful and essential to understanding the American consciousness.
Philip Seymour Hoffman Sculpture
Marcia Resnick: As It Is or Could Be
Fargo
The New Classics The Coen brothers’ mainstream breakthrough captivated audiences and marked their first major box-office success. Ranking highly on several critics’ Best Of lists for the 1990s, Fargo is pure Coen—dark, violent, irreverent, funny, and meticulously crafted.
The Great Escape
4th of July Released on the Fourth of July nearly sixty years ago, The Great Escape is one of the most thrilling films ever made, based on the true story of a mass escape from a German prison camp during World War II.
Roaring Rails
It's a Disaster Harry Carey was one of the best known and most loved (by the public and by his co-workers) actors in Hollywood. From his earliest silent films for D. W. Griffith at Biograph, to his star status in Hollywood as a western hero and then B series star, Carey brought warmth, humanity, and a natural ease to film acting.