(Paul Thomas Anderson, US 2012, 138 min., 35mm)
Paul Thomas Anderson’s mesmerizing survey of America’s bruised post-World War II psyche stands as one of the finest films of 2012 for many reasons: the dreamy cinematography; the exquisite production design; and Joaquin Phoenix’s startling, Oscar-nominated turn as Freddie Quell, a psychologically damaged vet who falls under the sway of charismatic cult leader Lancaster Dodd (Philip Seymour Hoffman). Not-so-loosely based on Church of Scientology founder L. Ron Hubbard, Dodd is both spiritual savior and dangerous charlatan, and Hoffman’s portrayal rivals his role in Capote as one of this gifted actor’s greatest achievements.
Upcoming Events in this Series
Film Screenings | Hard Eight (35mm)
Paul and Phil The feature debut of acclaimed young writer/director Anderson (Boogie Nights, Magnolia) is a brilliantly acted character study about the relationship between a professional gambler and his younger protege.
Film Screenings | Punch-Drunk Love (35mm)
Paul and Phil In a bold career move, Adam Sandler ditches his funny-guy persona to play Barry Egan, a lonely, repressed owner of a plunger and novelty-item wholesale company. Prone to fits of rage and social awkwardness, Barry’s life begins to turn around upon meeting Lena (Emily Watson), a friend of his sister’s.
Film Screenings | Boogie Nights (35mm)
Paul and Phil Penetrating the mood of the disco era, P. T. Anderson’s breakout film follows Dirk Diggler (Mark Wahlberg) from his days as a petulant young dishwasher to an intrepid porn superstar in California’s San Fernando Valley in the 1970s, to his fall to rock bottom in the 1980s.