(Elia Kazan, US 1951, 122 min., 35mm)
Tennessee Williams’ 1947 Pulitzer Prize-winning play emerged on the silver screen in this bold adaptation. Fittingly directed by stage actor-turned director Elia Kazan, A Streetcar Named Desire places complex and flawed characters in a cramped apartment in 1930s New Orleans. Faded southern belle Blanche DuBois (Vivien Leigh) springs a surprise visit upon her married sister, Stella (Kim Hunter). The illusive Blanche surrounds herself with lies and an air of mysticism, crafting a fantastical world and spreading sensationalized stories. Stella’s husband, brutish mechanic Stanley Kowalski (Marlon Brando), is quick to see through his sister-in-law’s false airs. As Blanche begins to charm Stanley’s friend, Mitch (Karl Malden), and influence Stella against her callous husband, an aggravated Stanley sets out to expose Blanche’s mysterious past and force her to confront reality. Streetcar depicts the gradual descent into insanity, accompanied by raw and heart-wrenching performances, led by Vivien Leigh. With Streetcar celebrating its 75th anniversary on September 18, this cinematic staple deserves to be revisited on the big screen.
Introduction by and post-screening discussion with Selznick student Lauren Wren