1d - 1975-2015 (images)
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[CAPTION: Something related to the Chinese lab]
CAPTION: Cinematographer Harris Savides chose to use Technicolor’s ENR printing process to give The Game (1997) a desaturated visual style. The same technique was also used prominently on Saving Private Ryan (1998).
CAPTION: Plaque to commemorate the dye-transfer release of Apocalypse Now Redux (Francis Ford Coppola, Zoetrope Studios, US 1979/2001). George Eastman House.
CAPTION: Technicolor today at Sunset Gower Studios.