Licentious and Suggestive: Hollywood Before the Code
The Motion Picture Production Code was adopted by Hollywood studios in 1930. This set of guidelines attempted to persuade filmmakers toward a more aspirational view of their art, and the effect it had on their audience. Due to the mature content being brought to the screen and the occasionally scandalous behavior by filmmakers and stars off-screen, The Motion Picture Producers and Distributors of America (MPPDA), led by Will H. Hays, attempted to reverse the negative press and protests by religious groups laid against the industry in an attempt to save it.
The Code, however, wasn’t fully enforced until the middle of 1934 and there were hundreds of sound films created in this period that pushed the boundaries of content, theme, and, sometimes, decency. From dramas to historical epics, from gangsters to freaks, the films in this series exemplify elements of what Hays was trying to filter out of motion pictures.
March 3: The Divorcee (Robert Z. Leonard, 1930)
March 10: The Sign of the Cross (Cecil B. DeMille, 1932)
March 23: The Bitter Tea of General Yen (Frank Capra, 1932)
March 24: Dr. Jekyll and Mr. Hyde (Rouben Mamoulian, 1931)
March 30: The Story of Temple Drake (Stephen Roberts, 1934)
April 14: Queen Christina (Rouben Mamoulian, 1933)
April 21: Scarface (Howard Hawks, 1932)
April 27: Freaks (Tod Browning, 1932)
April 28: Tarzan and His Mate (Cedric Gibbons, US 1934)