Bea Nettles: Harvest of Memory
Bea Nettles: Harvest of Memory originally opened at the George Eastman Museum on January 31, 2020, and was planned to be on view through June 14. Six weeks after opening the exhibition, the museum had to close due to COVID-19 and a virtual version of the exhibition was offered online. Now, the Eastman Museum is pleased to bring the exhibition back to our galleries for visitors to explore in person.
Bea Nettles explores the narrative potential of photography through constructed images often made with alternative photographic processes. The first large-scale retrospective of her fifty-year career, Bea Nettles: Harvest of Memory demonstrates this celebrated artist’s experimental approaches to art-making. Combining craft and photography, Nettles’s work makes use of wide-ranging tools and materials, including fabric and stitching, instamatic cameras, the book format, manually applied color, and hand-coated photographic emulsions. Her imagery evokes metaphors that reference key stages in the lives of women, often with autobiographic undertones, and her key motifs draw upon mythology, family, motherhood, place, landscape, dreams, aging, and the passage of time.
Nettles is a tremendously productive artist whose work has become part of museum permanent collections from coast to coast. Bea Nettles: Harvest of Memory provides a comprehensive look at the work of an artist who profoundly illuminates our inner worlds.
Bea Nettles: Harvest of Memory is co-organized by the George Eastman Museum and the Sheldon Art Galleries, St. Louis. It was co-curated by Jamie M. Allen and Olivia Lahs-Gonzales.
Generously supported by the Phillip and Edith Leonian Foundation, the Rubens Family Foundation, and Susan and Nathan Robfogel, and made possible in part by a grant from the National Endowment for the Arts.
Books by Bea Nettles
Explore select books featured in the exhibition as PDFs and videos.
The exhibition catalogue provides a survey of Bea Nettles’s groundbreaking mixed-media work, spanning a half century of innovative perspectives that push the boundaries of how we define photography. It presents the most up-to-date scholarship on Bea Nettles, with essays by Jamie M. Allen, the Stephen B. and Janice G. Ashley Associate Curator of the Department of Photography at the George Eastman Museum; Olivia Lahs-Gonzales, former director of the Sheldon Art Galleries, St. Louis, Missouri; and Amy L. Powell, curator of modern and contemporary art at the Krannert Art Museum at the University of Illinois, Urbana-Champaign; and with additional texts by Bea Nettles. The volume is illustrated with examples from all of Nettles’s major series, including her photographic and book works.