fbpx In Conversation: Joshua Rashaad McFadden and Lyle Ashton Harris | George Eastman Museum

Please note: The exhibition Erica Baum: the bite in the ribbon—a paper show is closed today due to technical issues in the gallery. We apologize for the inconvenience and hope to reopen it as soon as possible.

In Conversation: Joshua Rashaad McFadden and Lyle Ashton Harris

Thursday, April 7, 2022, 6 p.m., Dryden Theatre

Join us in celebrating the release of the exhibition catalogue for Joshua Rashaad McFadden: I Believe I'll Run On with a conversation between the artist and publication contributor Lyle Ashton Harris.

Book signing in the gallery to follow. Galleries open until 8 p.m.

This program is free to all and is generously supported by the Lipson Visiting Artist Fund.

This talk will have ASL interpretation. 

Please note: COVID-19 vaccinations are required for all programs in the Dryden Theatre. Proof of vaccination is required for all patrons regardless of age. Learn more here: Updated Health & Safety Protocols.

In Conversation: Joshua Rashaad McFadden and Lyle Ashton Harris

Recorded conversation from 04/07/22

Video +

About the Speakers

Joshua Rashaad McFadden works across genres—social documentary, reportage, portraiture, book arts, and fine arts—to critically examine race, masculinity, sexuality, and gender in the United States. Looking to the idea of “being-ness,” he considers the contemporary condition of Black life while referencing US history as a means to rediscover and define the Black self. Joshua Rashaad McFadden: I Believe I'll Run On is an early-career survey of the artist's work. His work has been featured in publications such as the New York Times, The Atlantic, Smithsonian Magazine, Time, Vanity Fair, and the Wall Street Journal. McFadden is an assistant professor of photography at Rochester Institute of Technology.

Lyle Ashton Harris has cultivated a diverse artistic practice that explores intersections between the personal and the political, examining the impact of ethnicity, gender, and desire on the contemporary social and cultural dynamic. He is represented in the permanent collections of renowned institutions worldwide and has been exhibited internationally, including most recently in Photography’s Last Century at the Metropolitan Museum of Art, New York, and in Basquiat’s “Defacement”: The Untold Story and Implicit Tensions: Mapplethorpe Now at the Solomon R. Guggenheim Museum, New York. Harris lives and works between New York City and the Hudson Valley, and is a professor of art at New York University.

Generously supported by
the Lipson Visiting Artist Fund