Made in Bangladesh
Labor Film Series Recounting the experience of women garment workers in Bangladesh, the film describes their efforts to form a union that will protect their rights.
Labor Film Series
9 Films on Screen
A joint effort of the Dryden Theatre and the Rochester Labor Council, the Labor Film Series presents motion pictures celebrating workers of the world. The first film program of its kind in the US, the series includes dramas, comedies, and current documentaries on important issues relating to work and workers, especially aspects of work often marginalized or absent in dominant commercial media. Our films from around the globe are selected to inform, provoke, and inspire.
This year's program appropriately focuses on workers’ struggles in diverse contexts: frontline healthcare workers battling COVID-19 in a New York City hospital (The First Wave); women garment workers in Bangladesh struggling to form a union (Made in Bangladesh); war-widows in Kosovo struggling to find work and provide for their children (Hive); unskilled American workers fighting to form the IWW (The Wobblies); union members struggling to adapt to the demands of new Chinese managers (American Factory); incarcerated individuals rebelling against racism and the constraints of convict labor (Attica); a family in Indiana struggling to sustain its pizzeria (Family Business); a day laborer in Serbia fighting to retrieve his son from a corrupt social services bureaucracy (Father); and a hotel doorman in Berlin struggling to maintain his dignity in the face of ageism (The Last Laugh). Common to these films is the story of workers' determined and unflinching response to the physical, social and economic challenges they face.
See you at the movies! For more information visit rochesterlabor.org and laborfilms.org
September 2, Made in Bangladesh (Rubaiyat Hossain, 2019)
September 9, Attica (Traci Curry, Stanley Nelson, 2021)
September 16, The Last Laugh (Der letzte Mann, F. W. Murnau, 1924)
September 23, Father (Otac, Srdan Golubovic, 2020)
September 30, The Wobblies (Stewart Bird, Deborah Shaffer, 1979)
October 7, American Factory (Steven Bognar, Julia Reichert, 2019)
October 14, Family Business (Tom Cohen, 1978)
October 21, The First Wave (Matthew Heineman, 2021)
October 29, Hive (Blerta Basholi, 2021)
E.T.: The Extra-Terrestrial
Barrymore Family Album This 40th anniversary screening of Steven Spielberg’s most successful film is enhanced by the expertise of Lester Friedman, author of Citizen Spielberg, and Charity Lofthouse, professor of music at Hobart and William Smith Colleges. After the screening, the two will talk about the iconic film and its equally iconic John Williams score.
The Prisoner of Zenda
Silent Tuesdays The Eastman Theatre in downtown Rochester opened on September 4, 1922, with a screening of this Victorian adventure classic. A century later, the Dryden Theatre presents the best surviving film element of this title with live piano accompaniment.
Born to Kill
Noir ’47: The Year Darkness Came to Light Deviant miscreants collide in this dark two-hander starring film noir veterans Claire Trevor and Lawrence Tierney. Violent drifter Sam Wilde (Tierney) discovers that Reno boarding house owner Laury Palmer (Isabel Jewell) was just romancing him to make her boyfriend Danny (Tony Barrett) jealous. Post-screening discussion with Curator of Film Exhibitions Jared Case.
Back to the Drive-In
Rochester Premiere Drive-ins have been around for nearly 90 years. Though their popularity has waned and hundreds have closed around the country, the COVID-19 pandemic provided a brief boost to these classic cinema venues. Post-screening Q&A with Dwight and Leigh Grimm, owners of the Greenville Drive-in 32 in Greenville, NY, featured in the film.
Attica
Labor Film Series On September 9, 1971, the incarcerated individuals at Attica Correctional Facility, citing systemic abuse and human rights violations, took control of the prison and over thirty hostages. This searing new documentary uses rarely seen footage and new interviews with former inmates and family of the guards to take a new look at the events of that week. Introduction by Jon Garlock, labor historian. Post-screening discussion hosted by the Rochester Education Justice Initiative (REJI).
Who Framed Roger Rabbit
Dryden University The year is 1947 and A-list cartoon actor Roger Rabbit has been framed for murder. His boss has been killed, his wife blackmailed, and the future of his beloved Toontown placed in jeopardy. Introduction by Sidney Rosenzweig, faculty at SUNY Brockport. Followed by a Q&A with Rosenzweig and Curator of Film Exhibitions Jared Case.
Young Romance
Silent Tuesdays This breezy, wonderful romantic comedy marks the screen debut of Broadway actress Edith Taliaferro, and is the only of her three films to still exist today. Romance magazine–obsessed Nellie Nolan (Taliaferro) reads a story about a young American who pretends to be a duke and wins the love of a royal princess. Live piano accompaniment by Dr. Philip C. Carli.
The Long Night
Noir ’47: The Year Darkness Came to Light A loose remake of Marcel Carné’s Le jour se lève, Anatole Litvak’s American version follows Joe Adams (Henry Fonda), a discharged veteran holed up in his top-floor apartment after seemingly killing the magician Maximilian the Great (Vincent Price). Post-screening discussion with Curator of Film Exhibitions Jared Case.
An Inconvenient Sequel: Truth to Power
Eco-Anxiety Following up his 2006 Academy Award–winning documentary An Inconvenient Truth, Vice President Al Gore serves as the focal point for this update.
Eco-Anxiety
4 Films on Screen
Inspired by the exhibition Anastasia Samoylova: FloodZone, on view at the museum through December 18, the Dryden offers four films that examine the anxieties we feel over a changing planet. Featuring both documentary and narrative films, the series is co-curated by Carter Soles, assistant professor at SUNY Brockport, who teaches, writes, and presents on ecological issues in cinema.
Not surprisingly, films about ecology and climate change often take the forms of horror or dystopian visions. Take Shelter focuses on one individual, a man who has apocalyptic visions of a coming catastrophe and goes to extremes to make sure that he and his family are safe from it. Both Snowpiercer and Beasts of the Southern Wild take place in a near future that has been devastated by ecological changes. In Snowpiercer’s world of never-ending winter, a single train traversing the globe holds the last of humanity, and each person’s place in society depends on how close you are to the engine. In the future of Beasts of the Southern Wild, families scavenge to survive on the risen waters of New Orleans. The series starts, however, with some facts, given to us by ecological advocate Al Gore in the follow-up to his Academy Award–winning documentary. In An Inconvenient Sequel: Truth to Power, Gore continues to fight for policy changes in governments around the world and visits some of the sites most affected by climate change. Whether you visit the exhibition before or after, these films provide a dramatic view of where we may be heading.
September 15: An Inconvenient Sequel: Truth to Power (Bonni Cohen, Jon Shenk, 2017)
September 29: Take Shelter (Jeff Nichols, 2011)
October 6: Snowpiercer (Bong Joon-ho, 2013)
October 13: MEMBER MOVIE NIGHT - Beasts of the Southern Wild (Benh Zeitlin, 2012)
The Last Laugh
Labor Film Series The enduring masterpiece from director F. W. Murnau (Nosferatu, Sunrise) is an artful fusion of evocative German Expressionism and gritty social realism. Live piano accompaniment by Dr. Philip C. Carli.
Member Movie Night | Hangover Square
Dryden University | Member Movie Night Plagued by mysterious blackouts resulting from loud noises, serious composer George Harvey Bone (Laird Cregar) is working on a concerto when he wakes up in another part of town. Introduction by Eric Grode, Director of the Goldring Arts Journalism and Communications School at Syracuse University. Followed by a Q&A with Grode and Curator of Film Exhibitions Jared Case.
On Trial
Silent Tuesdays Robert Strickland (Sydney Ainsworth), the self-confessed murderer of Gerald Trask, refuses to defend himself on the witness stand. His attorney cross-examines Strickland's wife and questions his daughter Doris, exposing evidence sufficient to call for a verdict of not guilty from eleven of the jury—but one juror is still holding out. Live piano accompaniment by Dr. Philip C. Carli.
MEMBER MOVIE NIGHT | The Life and Death of Colonel Blimp
Curator's Choice | MEMBER MOVIE NIGHT Not only is The Life of Death of Colonel Blimp sometimes considered the greatest British film ever made, but it is also among the most loved ones – the two characteristics that do not often coincide. A blend of war epic, romance, and satire, it is, among other things, a strong social and political statement.
Father
Labor Film Series In a small town in Serbia, day laborer Nikola is ordered to give up his two children to social services after poverty and hunger drive his wife to commit a desperate act. Until he can provide adequate conditions for their upbringing, the children will be placed in foster care. Introduction by Vincent Serravallo, Associate Professor of Sociology and Anthropology at Rochester Institute of Technology.
Arrival
Dryden University Jóhann Jóhannsson’s musical score for Arrival is integral to the film’s theme of communication and transports the audience with otherworldly, atmospheric sensations. He layered multiple tracks of piano drones with human voices to produce eerie, unsettling pieces of music.
The Second in Command
Silent Tuesdays Cinema’s first matinee idol Francis X. Bushman plays Miles Anstruther, a colonel in the British Imperial Army who has fallen in love with Muriel Mannering (Marguerite Snow). But Mannering has been promised to his close friend and fellow soldier Christopher Bingham (William Clifford). When both men are assigned to serve in South Africa, they must survive the battle to determine who wins the hand of Muriel. Live piano accompaniment by Dr. Philip C. Carli.
Broadway Melody of 1940
Make Mine Musicals The last in a loose series bearing the Broadway Melody title, this film once again finds artists striving for success on the Great White Way. Featuring songs by the unparalleled Cole Porter, the film follows Johnny Brett (Fred Astaire) and King Shaw (George Murphy) as an aspiring dance team that is separated when Murphy is mistakenly given the starring role in a Broadway show. Post-screening discussion with Michael Lasser.